The Music Report

Janie Horton & The Metaxy Dancers

Mountain View Center for the Performing Arts, Saturday February 12, 2000

In a world full of solo piano albums it takes a special talent for an artist to rise to the surface. Janie Horton has accomplished that and more with her unique approach to using music and dance as a way to reach into the listener’s soul. “I like to call it musical imagery” said Campbell following this weekend’s run of performances in Mountain View.

Campbell and her Metaxy Dancers have come up with a unique blend of dance and music that relaxes the mind and the soul leaving attendees with room to be entertained and meditate on their own lives at the same time.

The performance consists of Campbell beginning with a solo piano piece from her just released album , …a gift from janie, which is followed by a dance piece Campbell begins on piano, but later leaves the keyboard to dance with Sarah Jane Messor center stage, the two ultimately receiving a gift box which is lowered from the ceiling.

The show continues with passive, calming music and with each piece more dancers are added until there are seven on stage. Each piece involves different costumes worn by the dancers, and simple props such as sheets, candles and scarves bring the stage to life with their color and flare. During the piece “Waterdance” large sheets are waved by the dancers signifying the flowing calmness of water. Later, in “Innocence,” Campbell is joined by two young dancers who wear butterfly wings, ultimately pointing toward rebirth.

Campbell’s album was performed in it’s entirety from start to finish, with nearly each piece being danced. In addition stellar lighting and multimedia are used to enhance the performance. Slides taking text from Campbell’s CD booklet and using photos that compliment each piece enhance the performances visual presentation.

Indeed it looks like Janie Horton has found a way to move beyond just making a record and putting it out there like so many others. Her attempts at calming an audience through music and dance and giving them space to think about their own lives works. During this performance special seating was set aside for the local Hospice as Campbell feels it’s important to reach out to these types of groups and offer them her ‘gift’ as she does with younger audiences. “Having had breast cancer surgery last year, I really was able to relate to what Janie is doing with this show,” remarked one resident who had came from San Francisco to see the performance. “It’s the whole thing about being hit in the head with tragedy and seeing the light at the end of the tunnel.”

Special to the Music Report by Patrick Thomas